Lunging into the Underbrush: A Life Lived Backward

David Homel

April 2021

In 1970, David Homel escaped the American draft by moving to Paris. But a hiking accident in Spain led to a harrowing journey through botched surgeries, opiate addiction, the loneliness of a crippled traveler, and the constant pain that would define his life for years to come. Today, planning to stay in the game as long as possible, he has a few ideas about how to do just that.

By confronting body image issues, performance anxiety, and the challenges of desire, Homel draws an affecting portrait of the battle between Eros and Melancholy. Which one will prevail in this story we call our lives?


 

David Homel was born in Chicago in 1952 and left in 1970 for Paris, living in Europe the next few years on odd jobs and odder couches. He has published eight novels, from Electrical Storms in 1988 to The Teardown, which won the Paragraph Hugh MacLennan Prize for Fiction in 2019. He has also written young adult fiction with Marie-Louise Gay, directed documentary films, worked in TV production, been a literary translator, journalist, and creative writing teacher. Lunging into the Underbrush is his first book of non-fiction. He lives in Montreal.

BUY Physical Copy

$21.95 | ISBN: 9781773900797

BUY Digital Copy

$ 9.95 | ePub, Mobi or AdobePDF

Format: Trade paper

Size: 8 x 5 in.

Pages: 247

What they say
Defining trauma, lifelong pain and survival
Denis Coupal, The Miramichi Reader

The impression this brief, delicately written memoir leaves is of having spent a few hours with a wordsmith unconcerned with that particular talent, but rather focused on sharing his most difficult challenges, the ugliest moments of his life, his fears, his greatest failings and the long path to various, cathartic learnings. Homel, the novelist, filmmaker, literary translator, journalist and creative writing teacher, is in a sense not really present in these pages. "Here are the challenges I faced and how they almost did me in," he seems to want to tell us, daring to share everything that has hurt him, and there was a good deal of it sprinkled throughout is life. Homel’s recounting of these episodes, the worst ones painted with such fine, introspective brushstrokes, must have hurt him all over again as he did so.

...With Lunging Into the Underbrush, Homel offers a unique exploration of a young man growing through tremendous challenge, becoming an older man that even he is not fully at ease with, all toward an understanding of the importance of being kind to ourselves, to forgive ourselves, no matter how much pain our errors may bring, and to be unafraid of who we may become.

Where David Homel may choose to think he has failed in his own life, he now triumphs with Lunging in the Underbrush. This is a true story built on the framework of human resilience and kindness, and plainly a gripping read.

Read more.
April 2021, The Miramichi Reader


 
Montreal's David Homel counsels self-forgiveness in new memoir
Ian McGillis, Montreal Gazette

“I don’t want this to come across as some kind of redemption story.” David Homel is talking about his new memoir, and the tack he’s taking might be somewhat surprising. After all, one of the foundational tenets of contemporary popular culture is that everybody loves a redemption story.

“It’s not about that, though,” the Montreal writer insisted. “It’s about what happens over time, and what we do to stay in the game.” 

Notably, eight novels into a multifarious career, the 68-year-old Homel is now writing specifically about himself. The timing, as he describes it, was right. 

“I had more fun with this book than I’ve ever had with any book, because I wasn’t constrained by plot and character and narrative arc, all those things they teach in writing school,” he said. “Most of it happened so long ago that it was like writing about someone else. And of course, there is, in fact, a narrative arc: the main character is going to die, but then he doesn’t die, and everything follows from that.”

... Roughly halfway through, Lunging Into the Underbrush pivots from a more-or-less linear memoir into something else: a meditation on aging in a culture that still places a premium on youth. Formally it’s a risky strategy, but Homel more than gets away with it, because the transition feels organic: The life lessons applied in the second half grow directly out of adversity and misadventure experienced in the first.

... A motif in the book is the need, as Homel writes, to “be indulgent with yourself and others. I have some friends who are bitter toward their past selves,” he said. “But we have to forgive the selves that we were in order to enjoy what we have left. Of course, I don’t always succeed in that.”

... The book’s subtitle, he said, is more straightforward than it might appear. “Basically, I’ve become stronger, not weaker, as I’ve grown up and gotten older.”

There’s another interpretation, too: The young Homel, who was in some senses an old soul, now gives child-like spontaneity and openness as much rein as possible.

“I hadn’t thought of it that way, but sure. Keep playing. In all senses of the word.”

Read more.
April 2021, The Montreal Gazette


 
"A remarkable, intimate, and deeply reflective memoir"
Irwin Block, Senior Times

Opposition to the U.S. War in Vietnam and the conscription of young men to sustain it rattled the foundations of American life in the late 1960s and early 1970s and led  thousands of them, including Chicago-born David Homel, to settle in Canada.

Recollections of those turbulent times is the kicking off point for Homel’s first non-fiction book, a remarkable, intimate, and deeply reflective memoir of his teenaged years in his home town and his eventually settling in Montreal, raising a family, and establishing himself as a successful novelist, literary translator, and creative writing teacher.

The son of a Jewish family of modest means, young David was determined to resist the draft and found a way out by accessing the classification known as Draft Board 000, revealed to him by a draft counselor. This little-known escape hatch for American college students to study abroad was tailored, Homel notes, for the sons of industrialist, diplomats, and military personnel, and, as he says with a sarcastic wink, “ just the kind of young men not to be found in the jungles of Nam.”
Read more.
February 2021, The Senior Times


 
Hot off the press!

If I have to age, I hope I do it the way David Homel has: kicking and screaming and laughing at the demons. In Lunging, he reminds us that aging is just another word for growing, and that to grow is to remain vitally alive.
––Wayne Grady, Up From Freedom

David Homel is on fire again. This ripping memoir is a philosophical review of a life lived intensely, as Homel attempts to uncover the life that he has lived. Lunging into the Underbrush is so fascinating it almost reads like a thriller.
––Brian Brett, Trauma Farm

Homel is proposing a new definition of aging, and his book takes a most surprising turn when it looks into the sexuality of people as they grow older.
––JOURNAL DE MONTREAL


 
Sales

FOR BOOKSELLERS

THE MANDA GROUP
664 Annette Street
Toronto ON
M6S 2C8
T 416-516-0911
info@mandagroup.com
www.mandagroup.com


Distribution

CANADA
LitDistCo
www.litdistco.ca
ordering@litdistco.ca
Tel 1-800-591-6250
Fax 1-800-591-6251

UNITED STATES
Small Press Distribution
www.spdbooks.org
Tel 1-800-869-7553  
1341 Seventh Street, Berkeley, CA 94710

8-Logos-bottom