Sentence

Mikhail Iossel

August 2025

AVAILABLE FOR PRE-ORDER
In
Sentence, Mikhail Iossel performs a remarkable juggling act between genres and countries. Can you write a "Russian" sentence in English? The author has found a perfect syntactical solution to the opposition of past and present in this groundbreaking collection of one-sentence stories: everything is simultaneous, breathless, in a dizzying spin of memory and imagination. The past and the present are inseparable—but the sentence is here, as a celebration of linguistic freedom and virtuosity.



Mikhail Iossel was born in Leningrad, USSR (now St. Petersburg, Russia), where he worked as an electromagnetic engineer and belonged to an organization of samizdat writers before immigrating to the United States in 1986. He is the author, most recently, of Love Like Water, Love Like Fire (winner of the 2021 QWF Paragraphe Hugh MacLennan Prize for Fiction), Notes from Cyberground: Trumpland and My Old Soviet Feeling. Founding director of the Summer Literary Seminars international literary programs, he is a frequent contributor to The New Yorker, and his stories and essays have also appeared in The New York Times Magazine, Foreign Policy, Best American Short Stories, and elsewhere. A Guggenheim, National Endowment for the Arts, and Stegner Fellow, Iossel has taught in universities throughout the United States and is associate professor of English at Concordia University in Montreal.

BUY Physical Copy

$24.95 | ISBN: 9781773901749

Format: Trade paper

Size: 8 x 5 in.

Pages: 197

What they say
Advance praise

Mikhail Iossel is one of our greatest contemporary writers. He carries the torch of Russian literary genius, writing with brilliance of the snake pit of Soviet Communism. His gift for characterization, vivid imagery and absurdity makes his work mesmerizing. His writing is unforgettable.

—David Evanier, author of Red Love


Sentence is a brilliant and breathless literary manifestation of speed that made me think of Gogol and the prose of Blaise Cendrars in his fictional trip on the Trans-Siberian express. Here, a brooding Russian Jew vividly recalls his Soviet childhood in a cramped communal apartment and the subsequent many losses he has experienced, ones that flash by like the view through the window of a fast train. Iossel’s narrator is moving and melancholy, insightful and aphoristic and unlike anyone else you are likely to read in contemporary writing. 

—Antanas Sileika, author of The Death of Tony


Mikhail Iossel has created a genre of his own—a mix of memoir, speculative fiction, philosophical reflection–and a flavoured language distinctly his, highly lyrical and melodic; Iossel is a sort of linguistic Paganini, delivering capriccios with a playful joy, and occasionally he decelerates in a melancholy way as he nostalgically reminisces about the passage of time, death, and his former life in the Soviet Union.

—Josip Novakovich, author of Rubble of Rubles


These one-sentence stories, some lasting only a moment, others zipping thrillingly through years and continents, tap deep into childhood, old age, friendship, memory, dislocation, and the act of writing itself—in other words, this messy, beautiful mortal life to which we have all been sentenced. They are also, in the face of every refusal, funny and tender, and suffused with hope. Mikhail Iossel is one of the most innovative writers of our time. 

—Dawn Raffel, author of Boundless as the Sky


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