Where Good Books Come From, by Linda Leith. Part I: The Writer-Publisher Relationship
It might be that this relationship between writer and publisher is what is most in danger in the digital revolution.
The largest literary
prize in Quebec and -- for the winning writer, at least -- the richest in Canada is
the prix Gilles-Corbeil. The winner this year is the veteran novelist Victor-Lévy
Beaulieu of Trois-Pistoles, Quebec.
Where the recently rebranded Weston Prize is worth $60,000, and the Griffin Prize $65,000, the Émile Nelligan Foundation’s prix Gilles-Corbeil presents the winner with $100,000.
Admittedly, that’s once every three years, not annually (as is the case with the Weston and Griffin Prizes), but $100,000 is a very large chunk of change for the winning writer of what is sometimes referred to as the Quebec “Nobel” prize for literature.
The prize is open to Canadian and (interestingly) American writers working in French, but the winners to date have all been Quebecers: Réjean Ducharme, Anne Hébert, Jacques Brault, Paul-Marie Lapointe, Fernand Ouellette, Marie-Claire Blais and Jacques Poulin and now VLB.
Novelist and former head of the Bibliothèque et Archives Nationales du Québec Lise Bissonette chaired the jury, which consisted of author and writers’ union UNEQ past-president Stanley Péan and academics Martine-Emmanuelle Lapointe, François Paré, and Lucie Robert.
In its report on the prize, Radio-Canada refers briefly to VLB’s 2008 threat to burn his own books. That was to protest against growing bilingualism and multilingualism in Quebec and against the insufficient ardor of the independence movement.
Not mentioned in the press accounts of the prize that I have read this week is that VLB launched a public attack that same year on Governor General Michaëlle Jean, whom he dubbed La Reine-Nègre or the Negro Queen.
Joël Des Rosiers, winner of the prix Athanase-David (on this site) was one of Jean’s most eloquent defenders at that time.
The fact that VLB and Des Rosiers are winners of Quebec’s two top literary prizes this year will inadvertently give some indication of political differences within today’s Quebec.
Writing in Le Devoir, Bissonnette herself passes lightly over the political and controversial aspects of Beaulieu’s career, properly focusing her remarks on VLB the writer, VLB the reader – he has devoted thousands of pages to such writers as Hugo, Joyce, Melville, Tolstoy, Voltaire, Foucault, Ferron, Thériault, Kerouac, and soon Nietzsche -- and VLB the publisher first of Éditions VLB and more recently of Éditions Trois-Pistoles.
Now 67, VLB is in the process of reissuing his complete
works. His plan is to publish 666 copies of each work, seeing that as the
number of real readers he can count on in Quebec.
© Linda Leith 2011
.ll.
[Posted on the Globe Books "In Other Words" site November 11, 2011.]
It might be that this relationship between writer and publisher is what is most in danger in the digital revolution.
A window into the micro-culture of queer teens and twenty-somethings who live, work, struggle, play, perform, and experiment in Montreal and Toronto.
“There's a lot more to come,” says Lady G, “a lot more good things to come. Just like anything else, you can have good and bad. The bad is going to get lost somewhere. The good is going to prevail. Because good is always over evil. It's just one of those things. Every day you have a new artist from the reggae or the dance hall fraternity. It can never stop. Music will surely live on.”
What interests me in these gardens is their design and imaginative daring, along with their thoughtful and often playful deconstruction of the garden into its constituent parts. As a writer, I am also intrigued by the power of the language used to describe them. Among the most provocative – perhaps especially for a writer -- is the Jardin de la connaissance, a “secret and strange library” of walls, benches and floors made up of used books exposed to wind and weather – and varieties of mushrooms cultivated within some of the books.
Here is a world première view of Louise Tanguay's new photograph of the controversial Jardin de la connaissance.