I quote my favourite sentences from Linda Leith’s important book,
Writing in the Time of Nationalism: From Two Solitudes to Blue Metropolis: “It’s
so easy to turn everything that has to do with language into a joke. So easy
and so risky, except at carnival time, when everything is permitted, except for
what is not permitted, even at carnival time.” There in summation is the drama
of sensitivities, contradictions, paradoxes, linguistic ironies and
self-censorship in a dynamic city. The book has understandably been critically
well-received. I merely add my personal appreciation. A persuasive combination
of memoir and cultural history, composed out of full knowledge of the events
into which Leith courageously immersed herself and led the charge, if I may use
a military metaphor here, against literary ignorance and contempt, her book
clearly sets forth what happened to writing in Montreal and Canada during the
70’s and 80’s, well into the 90’s. With the rise of Canadian and Quebec
nationalism, a new generation of English writers in Montreal, perhaps with an
exception or two, became more or less invisible without and within the borders
of Quebec. Because we wrote in English in Quebec, we ceased to all intents and
purposes to exist in the public mind. Leith set about to encourage and support
an Anglo-literary revival which reached a culminating point in her founding of
the unique and vital, multi-lingual Blue Metropolis Literary Festival.
Acquiring alliances, sympathetic friends and helpmates along the way, she reminds
us of what a complex and extraordinary time it was for the English writer in
Quebec, and perhaps still is in some respects. As she says: “Like many battles,
this is a battle that cannot be won. What matters is coping with complexity,
with one another.” What a remarkable phrase that is: “coping with complexity.”
Written in a gracefully accessible prose and enlivened by a wry wit,
unaffectedly modest but confident in tone, alert to resentments and
undercurrents, on this subject which she knows so intimately and thoroughly,
Leith’s book is a necessary read. Besides, I am indexed. And one feels one has
arrived when one has been indexed.
Comment posted by Kenneth Radu on Facebook on May 10, 2010.
Kenneth Radu
Kenneth Radu has published five novels,
three volumes of poetry, a memoir, and four collections of short stories, the
latest being Sex in Russia (DC Books
Canada). He has won the Quebec Writers’ Federation prize for fiction twice, for
A Private Performance (Véhicule Press) and Distant Relations (Oberon Press). His first
book of stories, The Cost of Living
(The Muses’ Company/La compagnie des Muses) was shortlisted for the Governor
General’s Award for Fiction. Now retired from teaching, he lives with his wife
in St-Polycarpe, a village not far from Montreal.