Living Elsewhere
Kenneth Radu dives into the layers of memory and displacement that is the story of Alina Dumitrescu's childhood in Communist Romania.
Writer Erika Ritter

Not only do I think your launch of your online literary
salon is a great idea, I am doubly attracted because of your invocation of the
great Tony Hancock and his eponymous TV show of the late 50s--perhaps even into
the early 60s?
You and I grew up in different places, Linda, before we wound up at McGill at more or less the same time in our late teens and early 20s. But clearly there was a common element in our childhoods, in that joint appreciation of Hancock. CBC was the ONLY network available in Saskatchewan, even in the late 50s, and so we were all pretty much hostage to its offerings. Luckily for my mother (who shared my passion) and me, the network got hold of Hancock's Half Hour and showed those episodes--some of them again and again, which was also fine with my mother and me.
Who can forget Hancock's saggy, saturnine face in a bunny costume he was forced to wear while working as a toy store clerk--until he was outed by a child shrieking in a very English accent, "You're not Uncle Bunny! Uncle Bunny is good and kind!"? What about the missing final page of the murder mystery "Lady, Don't Fall Backwards," which Tony and his ever-amiable sidekick Sidney James tried to track down? And, of course, as you've observed in your post, Linda, Hancock's astute observations and loud laments about many aspects of life, including the circular necessity of knowing the word you want to look up in the dictionary before you look it up.
This comment of mine is mainly intended to wish you bon voyage
and bonne chance with the launch of the online salon--as well as offer a quick
thank you for assuring me that Tony Hancock lives on for you as he does for me.
Erika Ritter
Erika Ritter is a novelist, playwright, essayist and broadcaster, whose published works include: “Automatic Pilot,” a Chalmers-Award-winning play; three collections of essays: Urban Scrawl, Ritter in Residence, and The Great Big Book of Guys: Alphabetical Encounters with Men; a novel, The Hidden Life of Humans; and a non-fiction work, The Dog by the Cradle, The Serpent Beneath: Some Paradoxes of Human-Animal Relationships, shortlisted for the Writers Trust Non-Fiction prize in 2009. www.erikaritter.com.
Kenneth Radu dives into the layers of memory and displacement that is the story of Alina Dumitrescu's childhood in Communist Romania.
There’s a story behind every book. For Christmas Weekend by Monique Polak, that story is especially personal. Inspired by her own life, this heartwarming tale of a blended family over the holidays shows how real experiences can become unforgettable fiction.
My review of Doug Gibson's Stories about Storytellers has just appeared on the Globe Books site and no doubt in the paper tomorrow.

"If only I had won the Giller I would be irresistible.”
No. That’s where you’re wrong. You’ve got it backwards. You have to be irresistible in order to win the Giller.
2011 Scotiabank Giller Prize winner Esi Egugyan www.https://www.esiedugyan.com/