A Paris Salon, by Linda Leith
The translation of this vivid scene is by Helen Constantine, but who wrote the original?
Have been travelling and writing, so it's only today that I have got back to this site, posting the first Letter from San Francisco by Berkeley writer Guy Tiphane and a new banner photograph by Judith Lermer Crawley.
A Letter from Berlin will be following by Christina Lembrecht, and I'm working on one or two others, including a regular film spot. Am also open to suggestion from writers who might have something to report from their corner of the world.
When I realized how big the international readership is of this site, I wanted to go out of my way to present material that will keep you visiting -- and encourage you to contribute your own thoughts.
Other changes in the works include introducing fiction and poetry in translation into English -- and, in the weeks to come, a new blog entirely in French. Not to mention, it's easier than ever to sign up and comment. The traffic is rising quickly -- we've drawn over 5,000 visitors in September, even though the site has been quiet for half the month -- and seems likely to continue bringing readers from all over together to talk about everything books are about.
And then, of course there will be the books themselves, which I will be starting to publish in the new year. Watch this space.
More and more people are stepping forward, making suggestions, and getting involved. Which is more and more fun, of course, and more and more work, as well, for a growing number of writers, reviewers, translators and photographers, as well as for myself.
So I am reminded of Phyllis Papoulias's great photo of a duck, which you might remember from the spring, when it was the banner photo for several weeks.
Here it is again, a gentle reminder to be serene on the surface while paddling hard underneath.
Linda Leith
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The translation of this vivid scene is by Helen Constantine, but who wrote the original?
In Leigh Kinch-Pedrosa's review, D. Nandi Odhiambo's new novel is "a swirling, dizzying, drama full of complex characters and high stakes."
Some writers will choose not to self-publish. They may prefer not to spend the time it takes to edit, publish, market and sell their own work. But if they do wish to self-publish, it is now possible to do so without losing face and without losing money. That’s the game changer.
Dennis Johnson of Melville House Books, who sees himself as an outsider, is critical of the mainstream of American publishing. He's one of the more original voices in contemporary publishing.