Ken Scott’s Starbuck: Where the Greatest Losers are the Greatest Winners
We’ll be hearing a lot more about Ken Scott. So see Starbuck. (Those of you able to attend TIFF can see it there.) And then see La Grande séduction.


There was standing-room only this afternoon as members of Montreal’s English-speaking writing and publishing communities crowded into the auditorium of the Atwater Library and Computer Centre for a talk on “The Future of Books” by New York publishing industry observer, consultant and blogger Mike Shatzkin. His message? We are living through an extraordinarily dynamic period of change from which no one will escape unscathed.
The publishers that will have the most difficulty, Shatzkin argues, are those who continue to concentrate on a single format, such as print titles, while covering different subjects ranging from cookbooks and children’s books, say, to science fiction, literary fiction and computer books. Publishers who have perfected the art of publishing books and getting them on to book shelves across the country are going to be in trouble, because in 5-10 years “there will be no shelves anymore.”
The disappearance of shelves will have a catastrophic impact not only on publishers, but on bookstores. “A bookstore used to be a good place to browse,” Shatzkin says. “That is no longer so true. A bookstore used to be in my neighbourhood, just 10 minutes away. That’s not true any more. It takes me 30 minutes to get to the closest bookstore now.”
Shatzkin’s advice to publishers is to go vertical, focus on a very limited subject area -- and milk it for all its worth. If a publisher publishes books on gardening, he can develop his public – and he’ll be better off selling fertilizer than books on a different subject.
Will the relationship between authors and publishers change? It already has changed, says Shatzkin. Writers are building their own audiences. If you have a brand, and if you have readers, you don’t need a publisher anymore.
Will the percentage of electronic books plateau? No. “In 20 years it will not be strange for a kid who sees someone reading a book to ask, ‘What is that?’” Screens are going to be “ubiquitous.”
And libraries? “Libraries make no sense in the future,” Shatzkin says, on stage in a library that dates back to 1828. Anyone with Internet access already has access to far more books than are in this building. “There is no need for a building.” There will be an ongoing need for librarians, however; their skills will continue to be in demand, as will those of editors.
For, daunting as this brave new world of books is, it presents opportunities, as well. This is especially true of anyone working in English, so long as they go global. English is the biggest second language in the world at present, and it is now both cheap and easy to deliver content in English all over the world.
French-language publishers in Canada should be celebrating, Shatzkin suggests. They now have access to the entire francophone world, including the huge French market, in a way that they have never had before. “In the global world it doesn’t really matter where you are, unless your content is purely local. You have the world to play in.”
Shatzkin’s appearance in Montreal was organized by the publishers’ association AELAQ and the Quebec Writers’ Federation, with the support of the Canada Book Fund.
[Posted on the Globe Books site "In Other Words" on April 7,2011.]
Linda Leith
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We’ll be hearing a lot more about Ken Scott. So see Starbuck. (Those of you able to attend TIFF can see it there.) And then see La Grande séduction.

"A pig’s head, in case you are not aware, has eyes and eyelashes and teeth and a nose—all the makings of a face."
An excerpt from Jonah Campbell's Eaten Back to Life (Invisible Publishing, 2017).
by Kenneth Radu
Wicked company, therefore, is to be understood as the hostile official attitude towards men (mostly men) of intellectual daring who challenged the assumptions of religion and society. Inconvenient thinkers could be imprisoned and atheists could still be executed at the time, a practice I believe some would wish to continue today. That was the purpose of the radical salon: room for a coterie of free thinkers to converse bravely on many subjects, including dangerous critiques of the ancien régime and the Church, without fear of reprisal, at least from their fair hostess.

The D&M story should be a wake-up call to Canadians. Canadian literature has thrived nationally and internationally thanks to measures put in place to support Canadian writing and publishing. The measures currently in place, though, were designed for a bygone era. It’s time to revisit those measures, and fast.
Photo: Eléonore Delvaux-Beaudoin
