The French Connection
Jack Kerouac wrote several unpublished works in French. Norman Ravvin explores the seminal author's Quebec roots.

The pace of change in the book world is accelerating. In 2009, Indigo CEO Heather Reisman figured that 15% of her traditional book business would be eroded by e-book sales within 5 years.
On April 8, 2011, she told The Globe & Mail’s Marina Strauss, she’s looking at 40% in the net 5 years.
U.S. e-book sales are expected to nearly triple to $2.8-billion by 2015, according to Forrester Research estimates.
And an
April 11 response by Bruce Batchelor to a Quill & Quire Omni report on Strauss’s article argues:
“The change from print-books to e-books is happening even faster than Heather predicts. Some large US publishers are reporting 25% of their sales are already happening in e-book format, and none are reporting less than 10%. This is particularly noticeable in FICTION, for which print-book sales dropped 9.8% in the UK in the first quarter of 2011, compared to last year; in the US, print-book sales dropped a massive 19.3% for the past three months. [Both figures from Nielsen Book, the main industry tracking system.]"
Linda Leith
.ll.
Jack Kerouac wrote several unpublished works in French. Norman Ravvin explores the seminal author's Quebec roots.

In September 2014, LLP embarked on a process that has led, one year later, to the decision to publish books in French as well as English.
This is Part I of a three-part text. Part II is here.
John Ruskin attached a tower to his bedroom on his mountainside estate, Brantwood, on the shores of Coniston Water in Cumbria. Unlike Sackville-West’s, his tower room windowed on all sides, almost a capsule, offered a corner in which to escape from recurring nightmares or to watch the stars.
There is a greater need than ever for the good smaller publisher. For those of us interested primarily in quality, in good books that speak to their time and place, the importance of the smaller publisher can hardly be overestimated. It is in the smaller companies that the writer-publisher relationship happens. And this, I would suggest, is where good books come from.
