Becoming a writer
Email, the Internet, Facebook and newspapers – whether in print or online – are the enemies of writing. Reading is the enemy of writing.

The gender bias discussion initiated by the VIDA statistics, commented on by John Barber in The Globe & Mail, and then in these pages last week continues to generate comment and discussion, most recently on the antipodean airwaves.
This morning (which was yesterday evening Montreal time), the ABC Radio National Books & Arts Daily show devoted time to the topic which, from the tone of the discussion and comments on the show's website, suggest that gender bias is a mighty hot item down under, where there seem to be a larger number of vocal feminists per square mile than there are up here in Canada.
One of the panelists, Monica Dux, is a writer and a board member for the new award for Australian women's writing, the Stella Prize. She has written critically about the impact on the feminist movement of one of its Australian godmothers, Germaine Greer, but I have to say I was impressed by Greer when I first read The Female Eunuch, and I'm impressed by Dux and other Australian feminists today. The third member of the panel was Jason Steger, literary editor of The Age newspaper.
When host Michael Cathcart asked me if I thought it would be a good idea if, as literary editor of an Australian newspaper, he were to get half his reviews written by women -- and ensure that half the books reviewed were authored by women -- I said that would be a good start, and Dux agreed.
Producer Sarah L'Estrange has uploaded the cover of Joanna Russ's 1983 book How to Suppress Women's Writing on to the show's website. Beside the weighty sociological issues raised by questions of gender, I have a very practical consideration in mind as the publisher of an online literary magazine, and what I want to know is why their version is less fuzzy than the one I found on the website of the University of Texas Press and reproduced in my article.
You can hear the tape and read the lively comments on the show here.
© Linda Leith 2012
Email, the Internet, Facebook and newspapers – whether in print or online – are the enemies of writing. Reading is the enemy of writing.

Asked to present the keynote talk yesterday at the QUESCREN conference Connect and Disconnect: Anglophones, the English Language, and Montreal's Creative Economy, I took the opportunity to consider what has changed and what has remained the same in Montreal's anglophone literary milieu in the six years since the publication of my essay Writing in the Time of Nationalism (Signature Editions, 2010). What follows is a short excerpt from that talk.

It’s worth remembering that the word paradise traces its origins to the word pairidaeza, which in the ancient Iranian language Avestan, means a wall constructed to enclose cultivated grounds or a small grove of fruit trees. There is the wall again. As for Eden, that fabulous paradise lost, one need say no more.

Lost Gardens of Heligan, Cornwall
Linda Leith Publishing has published three of Gazette cartoonist Terry Mosher's books -- Was It Good For You? (2012), Caricature Cartoon Canada (ed. Terry Mosher, 2012), and The Wrecking Ball (2014). His most recent book is From Trudeau to Trudeau: Fifty Years of Aislin Cartoons (2017).
Linda Leith was recently approached for a letter supporting Terry's nomination for a major award; this is that letter.
