I Made a Promise I Could Not Keep: Speculative Essays

David Homel

March 2026

AVAILABLE FOR PRE-ORDER
Books and their writers can get into some pretty murky territory when they set out into the world. Some writers, who might be completely reasonable people in the rest of their lives, turn into liars and sneak-thieves when it comes to telling their tales. They might even make promises they know they can't keep. They're not necessarily setting traps or practising to deceive. Something seems like a good idea, and they go for it. Another word for that is "inspiration."

Each of the essays in this engagingly provocative collection about the morals of writing explores an aspect of what writers do, but you don't have to be a writer to consider the same issues. You just have to be human.



David Homel was born in Chicago in 1952 and left the city in 1970 for Paris, living in Europe the next few years on odd jobs. He has published ten novels, from Electrical Storms (1988) to The Teardown, which won the Paragraph Hugh MacLennan Prize for Fiction in 2019, and most recently, Private Number (2025). He has also written young adult fiction with Marie-Louise Gay, directed documentary films, worked in TV production, been a literary translator, journalist, and creative writing teacher. He has translated four books for Linda Leith Publishing: Bitter Rose (2015), The Last Bullet Is For You (2016), Nan Goldin: The Warrior Medusa (2017) and Taximan (2018). Lunging into the Underbrush (2021), also with LLP, was his first book of non-fiction. He lives in Montreal.

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$19.95 | ISBN: 9781773901893

Format: Trade paper

Size: 8 x 5 in.

Pages: 106

What they say
Praise for Lunging into the Underbrush

“If I have to age, I hope I do it the way David Homel has: kicking and screaming and laughing at the demons. In Lunging, he reminds us that aging is just another word for growing, and that to grow is to remain vitally alive."

—Wayne Grady, author of Up From Freedom


"Homel is proposing a new definition of aging, and his book takes a most surprising turn when it looks into the sexuality of people as they get older." —Sarah-Emilie Nault, Le Journal de Montréal


“Lunging into the Underbrush—the tangle that surrounds all of us—is a plea for beauty and for love, and against throwing in the towel." —Josée Lapointe, La Presse


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