From Helen Lyttelton: Film review – Nicolas Winding Refn’s Drive
Ambiguous, evocative and sometimes terrifyingly violent, Drive is worth the watch.

The book industry needs to get its act together. Pitched battles between publishers and librarians are not going to help anyone survive the digital revolution. A case in point is the “Boycott HarperCollins” petition posted on the social activism website Change.org.
The email I got yesterday introduces librarian Andy Woodworth, who is using Change.org to help “lead the charge in a fight against NewsCorp":
“See, more and more libraries are beginning to buy e-books… But publishing giant HarperCollins (owned by NewsCorp) is trying to force libraries to only buy e-books that literally self-destruct after the 26th reader in an attempt to maximize profits."
Change.org is hoping for 100,000 signatures. By 9 a.m. this morning, over 50,000 had signed.
Linda Leith
.ll.
Ambiguous, evocative and sometimes terrifyingly violent, Drive is worth the watch.

Members of the eponymous family are so bicultural that their conversation often and readily slips from English to French. It’s difficult not to read into the author’s intent the desire to pen “a” if not “the” great Canadian novel.

Le Funambule  © Marie-Danielle Croteau, Josée Bisaillon et les éditions Les400 coups, 2010
Works by Stéphane Poulin, Marie-Louise Gay, Stéphane Jorisch, Janice Nadeau, Michael Martchenko, Barbara Reid, Philippe Béha, and others on the block at the Montreal Museum of Fine Arts.
Why a town becomes a gathering place of the literati is a subject for literary histories. In Rye’s case, it may well have been the seductions of the past, which certainly seduced Henry James.
Conduit Street, Rye
