Letter from San Francisco: Amazon, again. by Guy Tiphane
We need to move on, see the wave coming, and ride it. (Warning: it may be like a tsunami.)

Nelly Arcan, the talented and beautiful Quebec writer who
committed suicide in September 2009 (see my Globe Books post here) has published a controversial posthumous story called Shame (La Honte).
In the story she alludes -- without naming names -- to her appearance on the hugely popular Sunday-night Quebec television show Tout le monde en parle in September 2007, when star Guy A. Lepage and his associate Dany Turcotte teased her on her décolleté.
Now Lepage
complains on the show's blog that Arcan “demonizes him” in the story,
attributing to him nefarious intentions that had a disastrous effect on her. He claims to be deeply troubled by
Arcan’s story, since he had always enjoyed her books. Not wanting to create
a media storm around a writer who died two years ago, he just suggests we all read the story, take a look at the 2007 television interview in question, and decide for ourselves.
He adds that it is impossible to judge the extent to which Arcan’s performance on the show provoked audience reactions that may have caused her distress.
La Honte appears in Arcan’s most
recent book, Burqa de chair (Burka of Flesh) published
posthumously just yesterday by Éditions du Seuil.
The book is introduced by novelist
and essayist Nancy Huston, who told La Presse literary editor Chantal Guy that she
found Lepage's treatment of Arcan “unpardonable.”
You would never see a man sexually humiliated like that in front of millions of viewers. I'm sure he doesn’t feel guilty, but he is, whether or not he knows it, as are others incapable of recognizing this woman’s intelligence.
Viewing the video this evening, I would say Arcan looks increasingly uncomfortable as the interview proceeds.
A Nelly Arcan website has recently been unveiled.
Linda Leith
© Linda Leith 2011
.ll.
We need to move on, see the wave coming, and ride it. (Warning: it may be like a tsunami.)

Funerals in Covid times take on a special character. Norman Ravvin writes about what a Jewish funeral is like now, a theme he considers on Polish ground in his recent novel, The Girl Who Stole Everything.
This is, in short, the busiest time of the year for literary publishers here, perhaps even more so than elsewhere in Canada, since the Quebec industry takes its lead from France in its single-minded focus on the fall.
Kim Thuy

When French author Annie Ernaux was ten years old, she overheard her mother conversing with a customer outside the family-run small grocery. The mother confided that there was a daughter before Annie, a six-year old girl who contracted diphtheria and who “died like a little saint.” L’Autre fille (The Other Daughter) is Annie Ernaux’s letter to the departed.

Annie Ernaux [Photo: Catherine Hélie, Gallimard]