A Joy to Read
Kenneth Radu remembers New York while reading Ariela Freedman's Brooklyn-set A Joy To Be Hidden.
Yes, Virginia, it is still possible to make things happen without a lot of money. The secret is a lot of work, creative energy, and collaboration, in this case between Popcorn Youth, Kinfolk Magazine, Foodlab chef Michelle Marek, and a brand-new bar called Alexandraplatz, open just for the summer in a rugged corner of Esplanade.
People are sitting outside at a couple of picnic tables as you turn north from St. Zotique. Inside, long tables are set with baskets of bread, vases of flowers, and ice buckets with bottles of wine.
Co-hosts Natasha Pickowics and Theo Diamantis of Oenopole introduce the evening and the Domaine du Gros ‘Noré Bandol Rosé.

Chef Michelle Marek prepares the cheese
The meal consists of Le Grand Aïoli, breads and cheeses from Kamouraska, and a perfect strawberry tart. The wine is pale, nuanced, and perfect. The company is lively. Fun!
When you leave, about 10 p.m., the second sitting is starting to arrive. Up next, a September date at the newly opened PHI Centre space in Old Montreal. And, in the meantime, an opportunity to check out more of Marek’s work, with Seth Gabrielse, at Foodlab, or Labo culinaire, at SAT Société des arts technologiques on Saint-Laurent.
© Linda Leith 2012
July postscript: There's a great New York Times review of Foodlab here.
Kenneth Radu remembers New York while reading Ariela Freedman's Brooklyn-set A Joy To Be Hidden.
Via Veneto, Rome [Photo: Linda Leith]
Why do so many visitors to the mecca of pleasure fail to experience the wonders of the dolce vita? The answer, I submit, lies in psychological research.
The Foreword to Davide D'Alessandro's The Dolce Vita Code.
In the venerable tradition of the 1957 BBC documentary on the Spaghetti Harvest and other media hoaxes which combine familiar formatting and a plausible style with invented (and inventive) content, Canada’s book trade paper Quill & Quire has produced a clever online April Fool’s joke on the Canadian book world.

Shirley Hazzard's book has the effect of sending us back to the novels of Greene and of Hazzard herself, but that has more do with the quality of her writing than with any literary genre. It also has something to do with her love of her subject.
