Letter from San Francisco: The Espresso Book Machine, by Guy Tiphane
Today it is possible to walk in the bookstore and ask for a book to be printed and bound as you wait. The machine is also a powerful tool for authors to create and sell books.
The site has been down, owing to server overload. Some of that is the
traffic generated since the four pieces I posted yesterday, but most of it has
nothing to do with this site but with another dealing with UFOs and
nuclear weapons.
My webmaster suggests that as a way of increasing traffic, and I guess it would be.
In the meantime, knowing the content my visitors -- from 50
countries, 33% from the U.S., 21% from Canada, and all you others from across the planet -- and I are
interested in, he is looking into an alternative server.
There have also been issues for those of you registering on my site
and wishing to comment on the posts. More to follow on that.
In the meantime, you can still, if you wish, comment on Facebook, on LinkedIn, and on Twitter @lindaleith.
I apologize for the disruption and thank you for your patience.
Linda Leith
.ll.
Today it is possible to walk in the bookstore and ask for a book to be printed and bound as you wait. The machine is also a powerful tool for authors to create and sell books.
The backstage story of Marianne Ackerman’s hit comedy Triplex Nervosa, from kitchen table to opening night and beyond.
This is what makes a culture, this kind of occasion, this play, this green sward, this shared delight, the company of all these friends and strangers. This is Shakespeare in the Park, thanks to Repercussion Theatre.
Julie Tamiko Manning as Titania and Alain Goulem as Bottom [Photo: Repercussion Theatre]
Looking forward to getting together with the other festival participants: Todd Denault, Sheree Fitch, Paul Kropp, Rabindranath Maharaj, Andrew Potter, Ami Sands Brodoff, Claire Holden Rothman, Alexander MacLeod, Nigel Thomas, Charles H. Mountford and John Whitt.