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The Carpenter from Montreal

George Fetherling

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Worlds collide when a naïve young heiress takes a tumble for a bootlegger with a murderous temper and his business partner falls in love with Montreal, the way Americans are prone to do. One world war has ended and a second is in the wings. In the space between, the neon-powered city on the St. Lawrence is notorious for its lavish nightlife, obsessive gambling and evident corruption. Controlling the action from behind the scenes is a large and mysterious figure called the Carpenter. He is the city’s fixer, mediator and manipulator. He is the boss of the night, le caïd de la nuit. In this cinematic and genre-bending novel, George Fetherling both honours the roots of serious noir fiction while also pushing its boundaries.

"An amazing balancing act for the author, and one where the juggler never fails." -- Howard Engel, author of the Benny Cooperman mysteries.



George Fetherling is a novelist, poet and cultural commentator. The Montreal Gazette has described him as “a mercurial, liberal intelligence … the kind of which English Canada has too short a supply.” Xtra called him “something of a national literary treasure.” He lives in Vancouver.


The File on Arthur Moss is a work of "incisive, complex beauty [by] a gifted phrasemaker [and] a fascinating meditation on the elusiveness of truth." Maclean's
Jericho may be Canada's first truly twenty-first-century novel. As a work of urban fiction--a slim category in Canadian writing--it stands among the very best." The New Brunswick Telegraph-Journal
Walt Whitman's Secret is “a resonant, shimmering work that stakes a claim on posterity." The Globe and Mail



"The muzzle flash was so beautiful, like the explosion of a bright five-pointed star, that it tempted the triggerman to continue firing a few seconds longer than necessary. But he was a professional, controlled, réservé, even timide, and did not allow himself to linger or be distracted. The racket, the yellow petals of pulsating light, the screams of the woman inside the expensive automobile, the man dead on the pavement, were parts of a single event. It was three hours past midnight, three hours past New Year’s Eve 1937, and snow was coming down like ashes after a fire." 


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