Jack, Nathan, Brian, Tom – and the Media, Part II
An Insider’s View of the NDP Leadership Convention (continued)
By Louise Tremblay Matchett
The largest literary
prize in Quebec and -- for the winning writer, at least -- the richest in Canada is
the prix Gilles-Corbeil. The winner this year is the veteran novelist Victor-Lévy
Beaulieu of Trois-Pistoles, Quebec.
Where the recently rebranded Weston Prize is worth $60,000, and the Griffin Prize $65,000, the Émile Nelligan Foundation’s prix Gilles-Corbeil presents the winner with $100,000.
Admittedly, that’s once every three years, not annually (as is the case with the Weston and Griffin Prizes), but $100,000 is a very large chunk of change for the winning writer of what is sometimes referred to as the Quebec “Nobel” prize for literature.
The prize is open to Canadian and (interestingly) American writers working in French, but the winners to date have all been Quebecers: Réjean Ducharme, Anne Hébert, Jacques Brault, Paul-Marie Lapointe, Fernand Ouellette, Marie-Claire Blais and Jacques Poulin and now VLB.
Novelist and former head of the Bibliothèque et Archives Nationales du Québec Lise Bissonette chaired the jury, which consisted of author and writers’ union UNEQ past-president Stanley Péan and academics Martine-Emmanuelle Lapointe, François Paré, and Lucie Robert.
In its report on the prize, Radio-Canada refers briefly to VLB’s 2008 threat to burn his own books. That was to protest against growing bilingualism and multilingualism in Quebec and against the insufficient ardor of the independence movement.
Not mentioned in the press accounts of the prize that I have read this week is that VLB launched a public attack that same year on Governor General Michaëlle Jean, whom he dubbed La Reine-Nègre or the Negro Queen.
Joël Des Rosiers, winner of the prix Athanase-David (on this site) was one of Jean’s most eloquent defenders at that time.
The fact that VLB and Des Rosiers are winners of Quebec’s two top literary prizes this year will inadvertently give some indication of political differences within today’s Quebec.
Writing in Le Devoir, Bissonnette herself passes lightly over the political and controversial aspects of Beaulieu’s career, properly focusing her remarks on VLB the writer, VLB the reader – he has devoted thousands of pages to such writers as Hugo, Joyce, Melville, Tolstoy, Voltaire, Foucault, Ferron, Thériault, Kerouac, and soon Nietzsche -- and VLB the publisher first of Éditions VLB and more recently of Éditions Trois-Pistoles.
Now 67, VLB is in the process of reissuing his complete
works. His plan is to publish 666 copies of each work, seeing that as the
number of real readers he can count on in Quebec.
© Linda Leith 2011
.ll.
[Posted on the Globe Books "In Other Words" site November 11, 2011.]
An Insider’s View of the NDP Leadership Convention (continued)
By Louise Tremblay Matchett
I’ve reached the point where I will forgive an opera almost anything if the music is beautiful enough and there are one or two spectacular singers. Which is very much the case here, not only with Soprano Hiromi Omura’s Leonora, who has the entire audience in the palm of her hand, but also with the darker figure of Azucena, sung by the thrilling Italian mezzo Laura Brioli.
Philosophy, politics—and a lot of sex. Michael Mirolla's new book, Torp (just published by LLP), is an erotic novel about a young married couple and their friend Torp set in Vancouver in 1970.
The carousel towards the latter end of the Brighton Pier, just before the roller coaster, is grotesquely beautiful, and enthrals the children and older bystanders for that reason. So vividly painted, the horses eerily distorted as they circle and bob, transfixed on a silvery pole to which half-terrified and half-delighted kids hang on and ride. Like all such carousels, this one unapologetically violates principles of aesthetic restraint, nightmarishly stunning as it spins to blaring music above the water.