Fetherling spins his taut tale of two lads from immigrant families who Americanize their Lebanese names to Jim Joseph and Pete Sells. Through a combination of wits and good fortune, the two men become successful bootleggers and purveyors of games of chance in a “town” somewhere south of Canada. (My bet is on Brooklyn.) It’s Jim who encounters the French carpenter on one of his early bootlegging runs. A mentoring relationship of sorts begins. Unlike the expectations one would have of someone called “The Carpenter,” this character never touches tools traditionally associated with the craft. He’s more of a fixer—behind the scenes. From him, Jim learns about moving goods across borders and keeping the wheels of justice greased. And he acquires the carpenter’s habits of elegant attire, lavish surroundings and bodyguards.
The story-telling in The Carpenter From Montreal is unconventional but compelling. Three characters—a ghost, a newspaperman, and a lawyer—recount the rise and fall of Jim and Pete against a rich backdrop of characters, conversations, and street-life. There were times when I marveled at how Fetherling, who was born after this epoch, had captured in almost cinematographic detail the corruption and swagger of the time. I was fully immersed in the period.
The Carpenter From Montreal is an engaging and entertaining examination of a period and a lifestyle from an author who is a master craftsman. (See a recent article in The Globe and Mail for an update on Montreal’s red-light district).
The Carpenter from Montreal
Worlds collide when a naïve young heiress takes a tumble for a bootlegger with a murderous temper and his business partner falls in love with Montreal, the way Americans are prone to do. One world war has ended and a second is in the wings. In the space between, the neon-powered city on the St. Lawrence is notorious for its lavish nightlife, obsessive gambling and evident corruption. Controlling the action from behind the scenes is a large and mysterious figure called the Carpenter. He is the city’s fixer, mediator and manipulator. He is the boss of the night, le caïd de la nuit. In this cinematic and genre-bending novel, George Fetherling both honours the roots of serious noir fiction while also pushing its boundaries.
"An amazing balancing act for the author, and one where the juggler never fails." -- Howard Engel, author of the Benny Cooperman mysteries.