Michael Ondaatje's The Cat's Table, reviewed by Linda Leith


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The AGO goes AbEx: All in the Family -- and a side of dystopian doom

The family feel comes from the vivid sense of a movement, even quite literally of clubbiness that comes from the "Club" where artists and hangers-on congregated in a loft on East Eighth Street. Individual as they were and very different as is their work, they also knew each other and were keenly aware of themselves as a group.

[And the side? Edward Burtynsky's stunning "Oil," at the ROM.]

 

 

My Life Among the Ruins, III, by Kenneth Radu

All along I have been led to believe that New York or Toronto or Montreal or Paris is the centre of the known universe, when it is really this egg-shaped boulder on a mountainside in Greece.

The Temple of Apollo, Bassai

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