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Gaudy is Good: Bath and Brighton Pier, part III, by Kenneth Radu

The carousel towards the latter end of the Brighton Pier, just before the roller coaster, is grotesquely beautiful, and enthrals the children and older bystanders for that reason. So vividly painted, the horses eerily distorted as they circle and bob, transfixed on a silvery pole to which half-terrified and half-delighted kids hang on and ride. Like all such carousels, this one unapologetically violates principles of aesthetic restraint, nightmarishly stunning as it spins to blaring music above the water.

From Sophie Legrand: Q & A with Katherine Govier

I think landscape forms character. The people I write about are formed by a particular landscape. Maybe it’s harsh, maybe it’s dangerous, it affects what they are and who they are. I like to go and place myself in those landscapes.

Katherine Govier in Matsumoto, Japan

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