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The Literary Life [Part 1 of 2]: A day to bottle?

Is there a way of bottling the good reviews? Steeping them in brine? Or, given the wintry day, flash-freezing them so that there they'll be ready to cheer me up all over again another day?

Photo: Linda Leith

From Yan Liang: Q & A with Norwegian Wood director Tran Anh Hung

"I am a guy who is Vietnamese, living in France, making a Japanese movie. But Vietnamese culture is really deep inside me. Let’s say I enjoy watching Vietnamese women more than others. It’s something like that. I feel that I am a different man when I am in Vietnam compared with France. I feel that I’m not living my life fully in France, I feel as though my life is in suspension. It is not something I dislike, that’s just how it is."

From Kenneth Radu: The Sculptures of John Félice Ceprano

These works fall to the force of nature every year and are rebuilt in new formations in late spring and summer when the river releases itself from winter’s grip. The rock remains, the art vanishes, only to reappear, because the artist is moved to do so, change and transformation being essential to his aesthetic. And that’s a rather exciting concept. Ceprano’s purpose is not to create a never changing artifact, but to celebrate the phenomenon of change itself.

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