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Gaudy is Good: Bath and Brighton Pier, part III, by Kenneth Radu

The carousel towards the latter end of the Brighton Pier, just before the roller coaster, is grotesquely beautiful, and enthrals the children and older bystanders for that reason. So vividly painted, the horses eerily distorted as they circle and bob, transfixed on a silvery pole to which half-terrified and half-delighted kids hang on and ride. Like all such carousels, this one unapologetically violates principles of aesthetic restraint, nightmarishly stunning as it spins to blaring music above the water.

Whimsy in Granite: Hope Cemetery

THERE IS NO ROOM

FOR SECOND PLACE.

THERE'S ONLY ONE PLACE,

AND THAT'S FIRST PLACE.

-- Inscription on Davis soccer ball gravestone, Hope Cemetery, Barre VT.


Art’s Art: Arthur Holden’s “serious farce” Ars poetica

This is a fun play, and a satisfying play, ably performed and directed at a clip by Guy Sprung in this excellent Infinithéâtre production. Arthur Holden is a playwright to watch.

Noel Burton, Danielle Desormeaux and Elana Dunkelman in Ars poetica
Noel Burton (George), Danielle Desormeaux (Diane), and Elana Dunkelman (Naomi) in Arthur Holden's Ars poetica. Photo: Brian Morel.
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