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Il Trovatore at the Opéra de Montréal

I’ve reached the point where I will forgive an opera almost anything if the music is beautiful enough and there are one or two spectacular singers. Which is very much the case here, not only with Soprano Hiromi Omura’s Leonora, who has the entire audience in the palm of her hand, but also with the darker figure of Azucena, sung by the thrilling Italian mezzo Laura Brioli.


La Gelateria, by Davide D'Alessandro

gelato, that most simple, small, and affordable item of gastronomic art, is a fundamental part of the dolce vita. Few things, big or little, so easily inject us with happiness and evoke a smile of satisfaction. Have it often, certainly daily, while in Italy. 

More from Davide D'Alessandro's The Dolce Vita Code.


Luca D'Alessandro [Photo courtesy Davide D'Alessandro]

Mavis Gallant, Home Truths & the Anglo Literary Revival

The best stories I have ever read about Montreal are the Linnet Muir stories that appeared in The New Yorker in 1978 and 1979. Set mostly in wartime Montreal, the stories dip back into the more distant past of Linnet Muir’s—and Mavis Gallant’s own—childhood memories of Montreal in the 1920s.

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