How do you pronounce “boatswain”?
The Globe and Mail wins the prize for obscurity.
Ann Charney's first book, Dobryd (Permanent Press, 1996) is an autobiographical fiction about a Jewish girl who, by the time she was five years old, had spent half her life hidden away in a barn loft. That’s the beginning of an account of her childhood in a Polish town during World War II.
Rousseau’s Garden (Véhicule Press, 2001), follows Claire, a Montreal photographer, to Paris with her husband, who is an art historian. There she seeks an understanding of her mother and of the panic attacks she herself has been suffering from.
Distantly Related to Freud (Cormorant Books, 2008) is set in Montreal and Long Island, NY in the 1950s. Ellen and her mother have moved into a large house with a group of refugees from Central Europe, whose erratic behaviour and dark view of human nature captivate the young girl’s imagination.
And now, in Life Class (Cormorant, 2013), Charney focuses on Nerina, a young woman from Sarajevo, in the former Yugoslavia, who lost her parents during the Bosnian war and is now a refugee in Venice. An older woman, Helena, a survivor of World War II, takes Nerina under her wing in a series of events that see her move from Venice to Smith Falls and New York City and then to Montreal.
One of the great things, with a writer who has written several books, is that you can get a sense of the kinds of characters and issues that are of abiding interest to her. Ann Charney’s work is not limited by place or nationality, it has a considerable interest in girls and women in their relationships with their mothers, their friends, and their work, and it is always focused in some way of the process of creation – of writing, of photography, of the visual arts. This is a thoughtful body of work, reflective and wise and increasingly fun and funny as book follows book.
Watch this space for a transcript of the interview, which I will post as soon as I can transcribe it.
© Linda Leith, 2014
Salon .ll. and LLP publisher Linda Leith is the author, most recently, of Writing in the Time of Nationalism, which has just appeared in a French translation by Alain Roy, Écrire au temps du nationalisme (Leméac 2014).
The Globe and Mail wins the prize for obscurity.
What I loved about Monsieur Lazhar is its
delicacy. So much of what is most powerful here is touched on glancingly. There is genius
at work in the casting and direction of the children, among whom Sophie Nélisse
as Alice and Émilien Néron as Simon are standouts, and of Monsieur Lazhar
himself, played by Algerian actor, comedian and author Fellag.
Fellag, as Monsieur Lazhar
Patterson Webster’s exhibition Land Marks – nicely translated as Pays sage – explores how
people shape the natural world and are shaped by it. Intrigued
when I attended the show and walked the trails, I asked Webster questions about
her work, to which she responded by email.
Her work is exhibited in a gallery setting at the
North Hatley Library (165 Main Street, North Hatley) and outdoors at Glen Villa
Gardens (1000 chemin North Hatley, Sainte-Catherine–de-Hatley), where you can walk the Abenaki and In Transit trails daily, 1–5 p.m. Enter the property on the private drive
marked with a flag. Follow signs for parking. See brochure and map. Duration of
walk: 45 minutes (1.5 km) round trip.
Habs fever hit Endre Farkas as a small boy in Communist Hungary with the surprise arrival of a red wool sweater with a CH in the middle.